150 Years of Through the Looking-Glass

150 Years of Through the Looking-Glass
Showing posts with label Lewis Carroll. Show all posts
Showing posts with label Lewis Carroll. Show all posts

Friday, 5 March 2021

'Hello Kitty' and Alice in Wonderland

 


I watched this today and found it very good. It is simplified for children and I wish it was longer animation than just about 15 minutes. In his lifetime Carroll created a cut-down, children's version of Alice in Wonderland that was intended to be read to and with the child. This fits into the same category but, as an adult, I could appreciate the bits they cut out because they would be boring to young minds and parts they changed. They can always read the book later on but this is visually interesting, funny and challenging. It's a good adaptation and far better than the Pikachu film that my nieces took me to.

This came across my desktop because I had read 'Pure Invention' by Matt Altt which describes how Japanese pop-culture has influenced Western culture. It discusses the impact of films, animation, toys but not music. Music hasn't travelled well. which is strange because they gave us Karaoke. It's a good book for people who are interested in how inventions occur and how they become a fad or something deeper. Sanrio, the makers of 'Hello Kitty' now own the Mister Men which has a similar look and feel to the Hello Kitty culture.



Wednesday, 10 February 2021

Mark Twain and Lewis Carroll - 'The Dream-Brothers'

 

Twain and Carroll – ‘The Dream-Brothers’


Introduction

In my work with organisations, I often recommend the works of Lewis Carroll and Mark Twain to clients and colleagues as a colourful, non-scientific, stylish and imaginative description of how companies deal with change and disruption. ‘Alice in Wonderland’ (Carroll, 1867) describes a situation where things are disordered because nothing has changed and everything works the way it always has. “A Connecticut Yankee in King Arthur’s Court”, (Twain, 1889) shows what happens if you introduce changes into a system without considering the context and the consequences. A high-level view of their lives and works (see table below) throws up some interesting similarities and differences. Outwardly the quiet Oxford don does not look as though he would have anything in common with the American extrovert apart from their literary success. However, there are opportunities for exploration at a literary and behavioral level that could provide entertainment and education.

 

The table below gives some categories that we can consider in assessing each against the other and how their experiences influenced their lives. For example, they were both interested in the paranormal but had a different view on foreign travel. Their personal connections indicate their variety of interests and curiosity.

  Table 1 – High-Level View of Twain and Carroll

Twain

Carroll

Themes

Change, Disruption, Time, Space and Hierarchy

Change, Disruption, Time, Space and Hierarchy

Modern Influence

Marx Brothers, Freud, W C Fields

Marx Brothers, The Beatles

Marketing Skills

Twain was a great self-promoter with tours and lectures

Carroll was a product marketing specialist. The ‘Alice’ brand was used on items including ‘The Wonderland Postage-Stamp Case’, Biscuit Tins.

Education

Left school and became an apprentice. A lot of self-education from libraries. Writing from an early age.  Spoke German.

Local school, then Rugby, then Oxford as a student then teacher. He was writing from an early age.

Travel

Travelled across the World for book tours and research. Lived abroad frequently.

One trip abroad to Russia and spent college vacations in Eastbourne for many years.

Inventions

Invested in typesetting, He also had patents for a self-pasting scrapbook, a fastener for shirts and a history trivia game.

Created a mechanical bat and a note taking machine to use in the dark, justifying margins on typewriters. He had ideas for ideas for a postal order and double-sided adhesive tape

Interests outside of Writing

Publishing, Travel – his best-selling work in his lifetime was ‘The Innocents Abroad’. The Paranormal – he was a member of the Society for Psychical Research.

Photography, The Theatre, Puzzles, Word Games, Logic and Poetry. He wrote a book on ‘Euclid and his Rivals’. The Paranormal – He was a member of the Society for Psychical Research. 

Other writing

Historical fiction such as ‘Personal Recollections of Joan of Arc’, ‘The Private Life of Adam and Eve’

A number of pamphlets that included vivisection, voting strategies and vaccination.

Connections

Ulysses Grant, Nikola Tesla, P T Barnum, Bram Stoker

The Rosettis, George MacDonald, Ellen Terry

              

They were both extremely productive individuals. The timeline below gives an idea of their output during their lives but does not include all of their work including non-fiction, speeches, pamphlets and correspondence.

                            Figure 1 - Timeline of Lifetime Events and Publications

They met only once at a dinner with a common friend who was George MacDonald, the writer. Twain notes in his autobiography that Carroll was interesting to look at, “for he was the stillest and shyest full-grown man I have ever met except ’Uncle Remus’.  Dr Macdonald and several other lively talkers were present, and the talk went briskly on for a couple of hours, but Carroll sat still all the while except that now and then he answered a question. His answers were brief. I do not remember that he elaborated any of them”. However, he also referred to Carroll as his ‘dream-brother’ which shows the regard he had for Carroll’s work.

 They both used pseudonyms and perhaps these were also dual personas. Mark Twain's real name was Samuel Langhorne Clemens. Before he became a writer, he held a variety of jobs including piloting a steamboat up and down the Mississippi River. Biographer Justin Kaplan suggests that the name ‘Mark Twain’ derived from the common practice of marking up two drinks on credit elsewhere it is suggested it was the cry for a measured river depth of two fathoms (12 feet), which was safe water for a steamboat.  Lewis Carroll’s real name was Charles Lutwidge Dodgson. The name change occurred as follows: Carroll took his original name "Charles Lutwidge" translated this into Latin as "Carolus Ludovicus". This was then translated back into English as "Carroll Lewis" and then reversed to make "Lewis Carroll". This was many years before Google Translate but Carroll, like many students, knew Latin. Aside from his other interests, Carroll was a teacher at Oxford University.  He wanted to keep his personas separate so much that he would refuse letters sent to “Lewis Carroll, Christ Church, Oxford”, claiming no such person lived there.

 The casual observer would describe Twain as the bold risk-taker and Carroll as the more conservative individual. The truth is they were both risk-takers. Carroll paid for the publication of ‘Alice in Wonderland’ himself which meant that he received better royalties but it was a big risk for an unknown Oxford teacher who could not even afford to get married. We cannot imagine the outcome if ‘Alice in Wonderland’ had not turned Carroll into ‘the tycoon of whimsy’ as described in The New Yorker (Gopnik, 1995). He could have been in serious financial trouble. Twain was involved in printing and publishing, and he became an investor in a typesetting invention. This cost him millions in today’s money, and he had to undertake lectures and book tours to pay for the costs and the debts to the investors. Twain and Carroll were both were prepared to back their judgement with their own money.

The Worlds of Wonderland and Camelot

The ‘Alice’ stories and ‘A Connecticut Yankee at the court of King Arthur’ both deal with people who travel into another place where time is different and the habits of the local population are not what they are used to. They are in alternate universes with a particular social structure where the normal rules have been suspended, and they have to work out a way to deal with them.

 Twain’s book was an exploration of utopian fiction looking at the psychology and the social impact of changes to an alien environment. Twain’s hero, Hank Morgan, travels to medieval Camelot via a blow to the head while working in a car factory. He unsuccessfully attempts to introduce modern democratic ideas with devastating results. With Carroll, Alice also enters an unconscious state before she falls down a hole following a white rabbit. In Wonderland she has to come to terms a new set of rules and not the one that she left.  Things do not work out well for her, and she ends up in court.

Their Love of Inventions

Twain was an early adopter of the typewriter and a long-time enthusiast of new science and technology, Twain lost the bulk of his fortune by investing huge sums on a typesetting machine, buying the rights to the apparatus outright in 1889. The machine was overcomplicated and frequently broke down, and “before it could be made to work consistently,” writes the University of Virginia’s Mark Twain library, “the Linotype machine swept the market [Twain] had hoped to corner.”

 Carroll was an early adopter of photography and took pictures of the celebrities of the day such as members of the Royal family, the Rosetti family and Tennyson, the poet laureate. He also came up with ideas for postal orders, queuing systems outside the theatre, voting systems. In this Victorian-era there were so many possibilities due to industrialisation, railways where things could be standardised, invented or improved.

 The advances in typesetting and photography during these times had a similar impact to that of the internet had on modern-day. Before photography, only the rich could get likenesses of themselves via portraits. As typesetting improved more books could become available and literacy would improve.

 It is also noted that Carroll went to the Great Exhibition in London in 1851 and Twain to the 1889 World Exhibition in Paris. These particular exhibitions were used to promote British and American advancement, respectively, to an interested world and attracted attention and visitors.

Influence on Language

Twain and Carroll particularly influenced writers and comedians by their use of language and paradox. We can see their style represented with ‘The Marx Brothers’ who use words to develop comic possibilities and with other comedians who are looking to subvert our certainties or stereotypes such as W.C Fields. Lewis Carroll used language in a colourful way and he invented new words that we use today such as ‘galumph’ and ‘chortle’. This technique of ‘portmanteau words’ is used, particularly in journalism and sociology, for example, metrosexual or chocaholic.  The Marx Brothers and W.C. Fields are a rich source of the type of material produced by Twain and Carroll.

 ‘Who are you going to believe, me or your own eyes?’ Groucho Marx in ‘Duck Soup’ sounding like the Cheshire Cat

 Also, from ‘Duck Soup’ although it sounds like a dialogue with Carroll’s Hatter:

 Labor Minister: The Department of Labor wishes to report that the workers of Freedonia are demanding shorter hours.

Firefly: Very well, then we'll give them shorter hours. We'll start by cutting their lunch hour to 20 minutes.

 From ‘The Innocents Abroad’, ‘I must have a prodigious quantity of mind; it takes me as much as a week sometimes to make it up’ This could be Groucho Marx dialogue.

 ‘A crowded police docket is the surest of all signs that trade is brisk and money plenty.’ Is it Twain Groucho Marx or W C Fields?

 ‘I once spent a year in Philadelphia, I think it was on a Sunday.’ W. C. Fields observation on time and place. Both Carroll and Twain were fond of time distortion in their writing.

 W C Fields said, ‘I never voted for anybody. I always voted against.’ (Taylor,1967). This would not be out of place in either ‘Alice in Wonderland’ or ‘Duck Soup ‘or ‘Horse Feathers’

 From Lewis Carroll we get the dialogue between the Alice and the Mock Turtle where Alice asks the Mock Turtle what he learned at school and the answer is:

'Reeling and Writhing, of course, to begin with,' the Mock Turtle replied; 'and then the different branches of Arithmetic — Ambition, Distraction, Uglification, and Derision.'

 From ‘Horse Feathers’ we have the following discussion about education between Groucho and Chico Marx.

Wagstaff: “As you know, there is constant warfare between the red and white corpuscles. Now then, baboons, what is a corpuscle?

Baravelli: That's easy! First isa captain, then isa lieutenant, then isa corpuscle.

Conclusion

 These two writers provided insight and entertainment in equal measure and continue to enchant. This article does not aim to explore in detail the rationale behind the differences and similarities. Some will be cultural, environmental or individual but it is always interesting to contrast and compare two influential figures who co-existed but did not directly influence each other. We can consider whether this was an America v England effect, Mississippi v Oxford or just different sparks of genius flickering away.

References

Carroll L. 1865. Alice in Wonderland, MacMillan.
Carroll L. 1871. Alice Through the Looking Glass. MacMillan.
Twain M. 1889. A Connecticut Yankee in King Arthur’s Court. Chatto and Windus.
Twain M. 1872. Roughing It. American Publishing Company.
Twain M. 1869. The Innocents Abroad. American Publishing Company.
Taylor R. L.1967. W.C. Fields: His Follies and Fortunes. St Martin’s Press.
Gopnik A 1995. Wonderland, 02 October 1995 The New Yorker.

Saturday, 20 January 2018

Alice, James Bond, Poirot Sequels

I've just finished reading 'The BeeKeeper's Apprentice' by Laurie King. It is a tale of Sherlock Holmes in retirement working with a young lady who is as independent as himself and they solve a number of crimes some of which are linked. It's worth reading and I will read a few more of them as it has an interesting dynamic between the two people and still has the old-fashioned feel of Sir Arthur Conan Doyle writing during a period when the old ways were being replaced by the new.

There are characters such as Alice, James Bond, Sherlock Holmes and Hercules Poirot who attract sequels and re-imagining. I have read some and it's hard for newer writers as the temptation can be to update them for modern tastes and this reduces their impact and freshness because you can't have the behaviours and language of these eras on the stage in London for sensitive ears. The titles of some Agatha Christie books had to be changed to avoid offence.  Sherlock Holmes and James Bond comment on racial stereotypes that are now unacceptable so it is hard to find baddies unless they are English.

Another problem is that you can't put your mind into the mind of the original writer to see how they were going to develop the character. Raymond Chandler left notes with ideas for Phillip Marlowe to be married to a society type and living in Palm Springs. I read that book 'Poodle Springs' and thought that Robert B Parker did a great job. Both Agatha Christie and Conan Doyle were conflicted about the characters they had created and the James Bond stories are very little representative of the films as he was a colder and tougher character than displayed on the screen.

There are so many versions and permutations of the Alice stories but I do wonder what Lewis Carroll would have written if he could've been persuaded or inspired to create a third world for Alice to visit and what it would have been like. If he was reborn today I think his writing would be darker and more like J G Ballard than J K Rowling. Maybe Alice would be trapped in a discount supermarket that had been abandoned and forgotten in a failed business takeover so she would have to fashion a life out of what she found there.



Saturday, 2 December 2017

Vietnam National University - Lewis Carroll

I enjoyed giving the talk and it has given me a structure so I can write it up. The people I met were receptive and had good questions even though I suspected them of googling them during the talk.

One lady asked me a question about the White Queen and it led to a conversation about female mentors, time travel and why modern women aren't as supportive as the two Queens were to help Alice.

The response has been very positive and I may go to Vietnam and Singapore next year.

Wednesday, 18 October 2017

Lewis Carroll Goes to Vietnam!

Event: The Influence of Lewis Carroll on Management Thinking


24 November, Faculty of Education, University of Social Sciences and Humanities, Vietnam National University- Ho Chi Minh City, Vietnam


A talk by Stephen Folan on the influences on Lewis Carroll that formed his world-view, the influence of the ‘Alice’ books on people today and how we can see examples of behaviour from these stories in modern corporate life today.

Evolving Communication - Emoji Wonderland!




 It is incredible that old stories can be restored through modern technology and techniques. Even though we know 'Alice in Wonderland' when you see a different set of pictures attached to it because it is set in a different time it will give you a new perspective. A man called Joe Hale has translated some well-known stories using emojis.

An emoji is a small digital image or icon used to express an idea or emotion in electronic communication such as the smiley faces that you use in instant messaging.  Emojis are almost like modern-day hieroglyphics, An enterprising individual, Joe Hale, has created special emojis and used them to make a four-foot-tall Wonderland Emoji Poster that tells the story of ‘Alice in Wonderland’.
The tale begins with a combination of "backhand pointing down," "rabbit," and "heavy large circle," to depict Alice's journey down the rabbit hole. Alice, represented by the princess emoji, encounters a Cheshire "smiling cat face with open mouth emoji," a mad "top hat emoji," and frightening "crown emoji" of hearts. Hale painstakingly translated these images, along with dozens more, from Carroll's original text, layering over 25,000 separate symbols until "the emoji text was sufficiently dense that [he] could transliterate the emoji back into a crude version of the original."

Joe believes the idea, ‘"Alice in Wonderland translated into emoji," is powerful enough to create images in the reader's mind's eye, and anybody curious enough can develop these images into their own personal Wonderland in their head and escape to that place. People should just use my poster as a visual aid to think about Wonderland, trip out and explore their imagination. Or: be inspired to read some Lewis Carroll!’

Here is a couple of examples of his translation of the ‘Alice’ text to a set of images. The emojis below translates as:

We're all mad here


🎩🥇✌🏼💔🔕

The Hatter was the first to break the silence

Other Alice quotes as emojis can be seen on twitter account @emojiwonderland

Joe says “this project has taken inspiration from the intensely visual atmosphere of the Disney Alice in Wonderland film, William Burroughs' writings on hieroglyphics and the Buddhist concept of visualisation.”

'He described the creative process. 'When I was translating I put the emojis on in layers—almost more like painting than writing—until the emoji text was sufficiently dense that I could transliterate the emoji back into a crude version of the original. I think I put about five of these layers on, then countless read-throughs, cross-checks, etc. until I was reading through the text and not changing anything. It was a dreamy, dizzying endeavour.'

I wonder if this use of emojis might be a step in the direction of a new form of cryptography. 


The poster is available online for $29.95 at http://joehale.bigcartel.com/product/wonderland-emoji-poster. I will confess that I bought a copy as an appreciation of his quixotic, creative idea.

Thursday, 12 October 2017

Lewis Carroll and Violence

I'm off to a talk this evening that should be very interesting. Lewis Carroll’s worlds are full of violent encounters. There is the  Queen of Hearts terrorising Wonderland with threats of decapitation.  Then we have the combatants Tweedledum and Tweedledee, the Lion and the Unicorn and the Red and White Knights. Let's not forget Alice kicking Bill the Lizard out of the chimney.

The British literary critic and academic, Gillian Beer – whose book, Alice in Space: The Sideways Victorian World of Lewis Carroll, has recently been awarded the Truman Capote Prize for Literary Criticism – is going to explore this topic within the context of Victorian literature and society.

The details are below for people who want to go.

The Eleventh Roger Lancelyn Green Memorial Lecture
Presented by The Lewis Carroll Society



OFF WITH HER HEAD! Lewis Carroll and Violence
Professor Dame Gillian Beer

7.00 pm Friday 13 October 2017
The Art Workers’ Guild, 6 Queen Square, London WC1N 3AT
Tickets: £10
Book online to reserve your seat: http://lewiscarrollsociety.org.uk/store

Tickets will also be available on the door.


Wednesday, 11 October 2017

Lewis Carroll and The Sergeant Pepper Album

Before Sergeant Pepper 



There is an obvious influence of Lewis Carroll on the album – “Sgt.Pepper’s Lonely Hearts Club Band”.  The single, “Lucy in the Sky with Diamonds” is based on a painting that Julian Lennon brought back from school one day.   John Lennon used this as inspiration to develop a psychedelic anthem that he also admitted also owed something to Lewis Carroll.

Lucy in the Sky with Diamonds starts off.

‘Picture yourself in a boat on a river
with tangerine trees and marmalade skies.
Somebody calls you; you answer quite slowly,
a girl with kaleidoscope eyes’.

Lennon said in an interview with Playboy (1980):

“The images were from 'Alice in Wonderland.' It was Alice in the boat. She is buying an egg and it turns into Humpty Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.”

There are many reasons why the picture of Lewis Carroll is on the album of ‘Sgt Pepper’ apart from John Lennon’s love of the books.   The “Alice” books have had a constant buzz about them for 150 years and there is no sign of that stopping. Each generation rediscovers the material and reworks it into something extraordinary: plays, films, cartoons, online games and music. Sometimes the buzz becomes a roar when a fresh interpretation of the Alice stories is released. Alice as Joan of Arc in the recent film Wonderland: in a Dreamworld in the Jonathan  Miller TV Production, Alice as a Goth in video games -  even in a quiet year Alice acts like a dog whistle to creative people who find the stories a way of describing a particular situation or point in time. Artists like Salvador Dali, Peter Blake and Ralph Steadman have all illustrated the “Alice” stories to highlight ideas that interested them.

The two stories (Alice in Wonderland; Alice through the Looking Glass) are part of our collective unconscious. You either had them read to you, you have read them yourself or seen them as a film, an animation or an illustration. All of the Beatles were likely exposed to the stories, but it seems that Lennon was the one who responded to them in a creative fashion. In the same Playboy interview, Lennon said,

“Lewis Carroll. I always admit to that because I love 'Alice in Wonderland' and 'Alice through the Looking Glass.' But I didn't even know he'd written anything else. I was that ignorant. I just happened to get those for birthday presents as a child and liked them. And I usually read those two about once a year, because I still like them."

The Alice stories are episodic, imaginative, non-linear and amoral. They are complicated, exciting, unpredictable and a bit dangerous. In 1865 they were ground-breaking and there are few children’s book since that has such appeal with combinations of word play, logic, songs, poetry and surreal imagery. It was an improvised story that was developed over a series of outings as entertainment for children that was developed into a final version. Carroll could not be assured of its’ success and invested his own money into it. He even recalled the first 5000 copies because they were not “up to scratch”.

The Buzz in 1967 - The Beatles vs The Establishment


At the time of the album, the Beatles were gaining control over their own music. They were taking a risk by not doing what the industry expected of them. They pushed against the establishment similarly to the main theme in ‘Alice in Wonderland’ amongst all the tomfoolery.

Another reason for a buzz about ‘Alice’ within the Beatles was that in 1967 some of the people the Beatles had worked with were also involved with a TV Play of “Alice in Wonderland” directed by Jonathan Miller. There was a lot of crossovers and many were in the vanguard of 60s counter-culture.  Jonathan Miller, Peter Cook and Alan Bennett were all members of the show, ‘Beyond the Fringe’ and were driving a fresh style of satirical comedy that mocked the establishment. Again ‘Alice in Wonderland”’ has a strong anti-establishment theme where it shows a person who is thrown into a world where the old ways of doing things are no longer relevant.  In 1865 Great Britain was moving from Victorian to Industrial thinking, in 1967 The Beatles were looking at a post-war Britain where the old certainties were crumbling and new influences were being reflected in their music such as psychedelia and Eastern religion.

There were other friends of the Beatles with parts in the TV Play.  Wilfrid Brambell who was in the film ‘Hard Day’s Night’ played the White Rabbit; Leo McKern who was in the film ‘Help’ did a drag turn as the Ugly Duchess. Ravi Shankar wrote the music for the TV Play and was already a friend of George Harrison. In 1966, George Harrison had met Shankar and began to take lessons from him. This could explain the dreamy feel in the music of the TV Play that is reflected in some of the music on the Sgt Pepper album. These people socialised and gossiped, a creative hub of people that the Beatles knew.

The strongest link between Lewis Carroll and the Beatles is that of John Lennon. There can be a lot of analysis performed of lyrics to determine the Carroll influence but it is best to be cautious. Lennon was not a fan of over intellectualising things. However, Lennon referred to the influence of Carroll in the Playboy interview.

"It's from 'The Walrus and the Carpenter.' 'Alice in Wonderland’ to me, it was a beautiful poem. It never dawned on me that Lewis Carroll was commenting on the capitalist and social system. I never went into that bit about what he really meant, like people are doing with the Beatles' work. Later, I went back and looked at it and realized that the walrus was the bad guy in the story and the carpenter was the good guy. I thought, Oh, shit, I picked the wrong guy. I should have said, 'I am the carpenter.' But that wouldn't have been the same, would it? (singing) 'I am the carpenter....'"

His own books of poetry, “In His Own Write” and “A Spaniard in the Works” that were written before “Sgt Pepper” had some of the whimsy of Lewis Carroll and they were both fond of wordplay, rhymes and puns. They were both interested in language and experimenting with it. Lewis Carroll created many words that we use today such as ‘chortle’ and ‘galumph’. Many of Lennon’s songs later included nonsense sentences including “Come Together” and “I Am The Walrus”.

After Sergeant Pepper

After the Sgt Pepper album, we can still see Carroll’s influence on the cover of “The Ballad of John and Yoko” where the band (plus Yoko) is surrounded by small stone statues of ‘Alice in Wonderland’ characters. The statues were a present to Paul McCartney from his brother Mike.



On “The Magical Mystery Tour” album John referred to Carroll’s “The Walrus and The Carpenter” from “Through The Looking Glass” in the nonsense song, “I Am The Walrus”.

Even as late as the 80’s Ringo Starr played the Mock Turtle in a TV version of Alice Wonderland’.

The Beatles and Lewis Carroll are both influences on many creative people. The words and illustrations from both have become part of the fabric of English culture. The images are reused and the words quoted in places where the authors did not expect them to be seen. It was good that the Beatles gave Carroll the recognition that he deserves for producing two English masterpieces that, like “Sgt Pepper”, have remained and will remain popular for a long time.

Stephen Folan

January, 2017